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4 Apr 2019, 8:24 am
As it had done successfully with SESAC (see our article here), and as has been the case for decades with ASCAP and BMI, RMLC had hoped to have the court declare that GMR’s unrestrained royalty demands were contrary to the antitrust laws, and that some limits should be imposed on those rates. [read post]
22 Mar 2019, 5:00 am
Fortunately, most artists join a performing rights organization that license their work to the public, such as American Society of Composers, Authors and Publishers (ASCAP), Broadcast Music, Inc. [read post]
20 Mar 2019, 12:00 pm
Another component of the law was changes to how rates are set for performance rights through the American Society of Composes, Authors, and Publishers, or ASCAP, and Broadcast Music, Inc., or BMI. [read post]
20 Mar 2019, 12:00 pm
Another component of the law was changes to how rates are set for performance rights through the American Society of Composes, Authors, and Publishers, or ASCAP, and Broadcast Music, Inc., or BMI. [read post]
7 Mar 2019, 6:22 am
BMI and ASCAP have released an open letter that suggests that the market is the best place for determining how songwriters are paid. [read post]
26 Feb 2019, 7:36 am
As we have written before (see our articles here and here), GMR and the RMLC are in litigation over whether or not the rates set by GMR should be subject to some sort of antitrust review, as are the rates set by ASCAP, BMI and even SESAC (see our article here on the SESAC rates). [read post]
8 Feb 2019, 10:03 am
You should have received performance royalties if you registered your compositions with BMI, ASCAP, etc. [read post]
30 Jan 2019, 3:43 am
The US also has two of the leading authors’ rights organizations, ASCAP and BMI, and has quickly become the biggest performance rights market for record companies and performers, even though the country’s collection agency, SoundExchange, only collects royalties from digital music services. [read post]
23 Jan 2019, 8:59 am
Guest Blog Post by Tyler Ochoa [This is part 2 of a 2-part series on the Music Modernization Act. [read post]
22 Jan 2019, 8:56 am
Guest Blog Post by Tyler Ochoa On October 11, 2018, President Trump signed into law H.R. 1551, the Orrin G. [read post]
11 Jan 2019, 7:51 am
Users do, however, pay fees for the public performance of the underlying composition through ASCAP, BMI and SESAC and GMR. [read post]
8 Jan 2019, 2:31 pm
Allow Artists and Songwriters to Opt Out of the Compulsory License: The recent blow-up regarding the so-called “Internet Radio Fairness Act” and the related ASCAP and BMI rate court proceedings should let the Congress know that there are many artists and songwriters who want to be able to decide who gets to license their songs. [read post]
12 Dec 2018, 6:09 am
Given that I have not written on this topic in some time, I thought that it was worth a reminder that retail outlets, including bars and restaurants, have to pay music royalties to ASCAP, BMI, SESAC and perhaps GMR for the performance of music in their venues, except if they fit within very detailed exceptions that allow for certain businesses to avoid those payments. [read post]
2 Dec 2018, 8:49 pm
(these are nonstatutory deadlines) Songwriter board selection by Steve Bogard (NSAI), Rick Carnes (SGA), Lynn Gillespie Chater (SGA), Dallas Davidson (BMI), Chris DeStefano (NSAI), Bob DiPiero (BMI), Dan Foliart (ASCAP), Adam Gorgoni (SONA), Michele Lewis (SONA), Paul Williams (ASCAP) (Assume final deadline of 1/8/19) MLC 39 DAYS 723 days APPOINTED BOARD AMLC Board Announced (DMN reports Howard and Mestel depart): John Barker (founder, president & CEO of ClearBox… [read post]
29 Nov 2018, 9:09 am
As we have pointed out before, a broadcaster or other media company that has performance licenses from ASCAP, BMI, SESAC and even GMR does not get the right to podcast music – nor do the SoundExchange royalty payments cover podcasts. [read post]
23 Nov 2018, 2:33 am
As best we can tell from the outside looking in, this chart has the dates for key events in the critical path to launch for the Mechanical Licensing Collective as required by the Music Modernization Act. [read post]
19 Nov 2018, 10:12 am
Here are useful sites if you are interested in learning about music and art licensing: License It CopyrightLaws.com BMI Music ASCAP So, enjoy all those creative works…just don’t steal them. [read post]
19 Nov 2018, 10:12 am
Here are useful sites if you are interested in learning about music and art licensing: License It CopyrightLaws.com BMI Music ASCAP So, enjoy all those creative works…just don’t steal them. [read post]
19 Nov 2018, 6:07 am
DREAMERS Words and Music by Judy Collins The Wildflower Company, LLC (ASCAP) Thanks to Lauren Gilbert for this song. [read post]
16 Nov 2018, 8:04 am
Songwriter board selection by Steve Bogard (NSAI), Rick Carnes (SGA), Lynn Gillespie Chater (SGA), Dallas Davidson (BMI), Chris DeStefano (NSAI), Bob DiPiero (BMI), Dan Foliart (ASCAP), Adam Gorgoni (SONA), Michele Lewis (SONA), Paul Williams (ASCAP) (Assume deadline of 1/7/19) MLC 90 DAYS 726 days APPOINTED BOARD STATUS UNKNOWN (Assume deadline of 1/7/19) MLC/CO 90 DAYS 726 days APPOINTED DLC STATUS UNKNOWN—Deadline 7/7/2019 COPYRIGHT OFFICE 270 days 545 days… [read post]
