Search for: "BROADCAST MUSIC INC" Results 61 - 80 of 609
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20 Sep 2021, 7:42 am by Chris Castle
If anyone connected to The Mechanical Licensing Collective, Inc. quango brings up the $424,000,000 black box payment that the MLC received in February as part of services claiming their safe harbor under the Music Modernization Act Title I giveaway, it’s usually in the context of claiming credit for the payment as in “Aren’t we great, we got the services to pay $424,000,000 of black box money owed to songwriters. [read post]
24 Aug 2021, 9:15 am by IPWatchdog
” While AM/FM radio stations do not pay public performance royalties to sound recording owners, digital and satellite radio providers like Sirius XM must pay public performance royalties whenever they broadcast post-1972 music. [read post]
5 Aug 2021, 5:41 am by Editor Charlie
She also is the writer behind  the Guardian music industry columns Behind the Music and Plugged In and has contributed to a variety of publications and broadcasts discussing songwriters’ rights, copyright, and other music industry issues. [read post]
3 Aug 2021, 2:22 pm by Howard Knopf
SODRAC 2003 Inc., 2015 SCC 57 (CanLII), [2015] 3 SCR 615, <https://canlii.ca/t/gm8b0> (“CBC v. [read post]
8 Jun 2021, 2:58 pm by Howard Knopf
All of these latter companies withdrew their participation prior to the oral hearing, for various reasons.In addition, the following companies objected to one or more of the tariffs under consideration in this proceeding, but also withdrew their participation: Apple Canada Inc., Apple Inc., Canadian Association of Broadcasters, Canadian Broadcasting Corporation, Canadian Satellite Radio, Cineplex Entertainment LP, CKUA Radio Network, EMI… [read post]
10 Feb 2021, 9:43 pm by Frances Drummond (AU)
Acuff-Rose Music, Inc,[1] the Court explained that transformative uses ‘lie at the heart of the fair use doctrine’s guarantee of breathing space within the confines of copyright’. [read post]
10 Feb 2021, 9:43 pm by Frances Drummond (AU)
Acuff-Rose Music, Inc,[1] the Court explained that transformative uses ‘lie at the heart of the fair use doctrine’s guarantee of breathing space within the confines of copyright’. [read post]
29 Jan 2021, 5:35 am by Paul J. Bezilla
On January 15th, the Department of Justice announced it has ended its two-year review of the 80-year old consent decrees that govern the operation of the largest music performing rights organizations in the United States: ASCAP (American Society of Composers, Authors and Publishers) and BMI (Broadcast Music, Inc.). [read post]
27 Dec 2020, 11:20 am by Eric Goldman
Tokyo Broadcasting System Television, No. 19-55981 (9th Cir. [read post]
10 Dec 2020, 2:11 pm by Richard T. Kaplar
  From its early beginnings, the Internet has become a vast network through which consumers access videos, sports, music, social media, and much more. [read post]
20 Oct 2020, 12:00 am by Mark Nieds
However, much music is covered by blanket licenses with entities like the American Society of Composers, Authors and Publishers (ASCAP) or Broadcast Music, Inc. [read post]
12 Oct 2020, 4:04 am by Comunicaciones_MJ
Entre las licencias disponibles están las blanket licenses —donde la emisora tiene acceso a múltiples composiciones con el pago de una tarifa fija a entidades como Broadcast Music, Inc. [read post]
22 Sep 2020, 4:53 pm by Peter S. Lubin and Patrick Austermuehle
Most musicians are registered with a Performance Rights Organization such as the American Society of Composers, Authors, and Publishers (often referred to as ASCAP) or Broadcast Music Inc. [read post]