Search for: "Pam Samuelson"
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23 Sep 2014, 10:05 pm
.; Samuelson, Pam; Sichelman, TedHigh Technology Entrepreneurs and the Patent System: Results of the 2008 Berkeley Patent Survey [article] 24 Berkeley Tech. [read post]
20 Nov 2011, 10:41 am
(Ever heard of Pam Samuelson, Mr. [read post]
20 Nov 2011, 10:40 am
(Ever heard of Pam Samuelson, Mr. [read post]
11 Aug 2011, 12:11 pm
Most work focuses on one area or is theoretical or anecdotal, with a few exceptions attempting empirical categorization—Beebe analyzing what courts say about the factors, Pam Samuelson’s policy-relevant clusters—taking perspectives internal to the case. [read post]
15 Aug 2010, 6:03 am
Closing Plenary Session Christopher Buccafusco, Chicago-Kent College of Law & Christopher Sprigman, Virginia The Creativity Effect Interested in work on endowment effects. [read post]
7 Jun 2010, 1:58 pm
U.S. law professor Pam Samuelson chronicles precisely what happened in her 1997 law review article, The U.S. [read post]
12 Aug 2021, 11:49 am
Shyamkrishna Balganesh, The Institutionalist Turn in Supreme Court Copyright Jurisprudence [Mandatory laptop update delayed my entry; this is a typically rich paper] Institutionalism example: commitment to Congress to decide in Eldred in Golan. [read post]
7 Feb 2014, 5:25 pm
Christine Haight Farley, American University Washington College of LawSleeping Treaty: The Pan-American Trademark ConventionTTAB’s 2000 Belmont case: British-American Tobacco v. [read post]
11 Aug 2016, 5:35 pm
IP & Privacy Exploring Privacy as Commons Katherine Strandburg & Brett Frischmann Knowledge production/privacy as highly related, not orthogonal/opposed. [read post]
23 Jan 2024, 11:32 am
On how copyright fair use doctrine will apply to AI training: Pam Samuelson gives a summary of on-point fair use cases that might be applied in asking whether training on copyrighted works is fair use, giving arguments for both sides. [read post]
8 Jul 2019, 3:02 pm
Merges, Pam Samuelson, Tim Wu, and more herein.Compulsory Licensing of Music, GenerallyA compulsory license, to state the obvious, is a way to obtain the rights to copyrighted content without negotiating directly with the rights holder; instead, the user gets to take advantage of a rate set by a statutory scheme.The big place this happens today is music licensing. [read post]
9 Jun 2014, 7:49 am
It’s been a good run since Campbell, but maybe the word transformative should be retired and talk about what we really mean, since different uses might not fit in the same bucket even though they are all nonsuperseding and productive—Pam Samuelson’s categorization attempts to group them. [read post]
11 Aug 2016, 10:25 am
IPSC Breakout Session I: Copyright: Music & Remixes Assessing France’s Graduated Response Scheme Against Piracy & State Interventionism in the Marketplace for Copyrighted Content Nicholas Jondet Strong philosophical attachment to ©, and economic interests—Universal Music is French-owned. [read post]
18 Jan 2013, 7:19 am
Pam Samuelson told a story about a trip to Hanoi with grads, when the richest people on the bus wanted to know where the counterfeits were—she was fascinated with their fascination. [read post]
27 Aug 2022, 11:02 am
The prevailing wisdom is that federal agencies cannot generally disclose trade secrets and confidential information given to them in confidence by companies that they regulate or work with. [read post]
9 Aug 2012, 10:43 am
IPSC, Stanford Usual disclaimers: my summaries are partial; I’m missing many great presentations (including ones I’ve seen in earlier forms elsewhere and patent stuff; also, this year I tended to pick copyright over trademark but was often forced to make tough choices). [read post]
14 Feb 2011, 8:28 am
My questions: what’s your response to the strategic/interpretive claim that fair use is not as uncertain as all that, made by the Best Practices folks and by people like Pam Samuelson who group cases, or even in Beebe and Sag’s empirical research? [read post]
9 Aug 2012, 6:12 pm
Copyright and Music Robert Brauneis, Copyright and the Dilemma of Defining Musical Works in the Era of Fixed Sound Initially in copyright: written score was the way music was disseminated and a human performer was necessary to transmit it to the audience—largely amateur performances. [read post]
7 Apr 2023, 7:48 am
Pam Samuelson: will audits be publicly available? [read post]
10 Jun 2016, 7:35 am
Session 3: RemediesIn recent years, trademark scholarship has focused largely on questions of subject matter and scope, including much critical assessment of standards for infringement and dilution. [read post]
