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8 May 2019, 12:55 am by musicandcopyright
Public performance and broadcasting, the two biggest collection sources, recorded another year of modest growth, while digital revenue grew sharply. [read post]
13 May 2009, 9:46 pm
  if this bill were to be adopted by the full House of Representatives and the Senate, and signed by the President, broadcasters would have to pay for the use of sound recordings (the actual recording of a song by a particular musical artist) in addition to the royalties that they already pay to ASCAP, BMI and SESAC for the public performance of the underlying musical composition. [read post]
25 Sep 2013, 5:28 am by musicandcopyright
Exclusives Pay-TV services were initially successful because they offered something that other traditional broadcast TV services did not. [read post]
25 Sep 2013, 5:28 am by musicandcopyright
Exclusives Pay-TV services were initially successful because they offered something that other traditional broadcast TV services did not. [read post]
28 Jan 2014, 11:02 am by Jeremy
The provision states that: For the purpose of free-to-air broadcast, Nigerian music shall constitute 80 per cent of all music broadcast. [read post]
19 Jan 2017, 1:44 am by musicandcopyright
With the exception of the minor income source TV broadcasting, all revenue streams suffered a fall. [read post]
10 May 2017, 1:23 am by musicandcopyright
General licensing was the biggest collection source for SENA members, ahead of broadcasting. [read post]
21 Jul 2010, 2:17 pm by David Oxenford
  As digital operations become more and more important to broadcasters, there could be concessions from the record labels on the streaming royalties and other digital uses of music that relieve broadcasters from some of the concerns that hold back many broadcasters from fully exploiting the potential of their Internet and mobile applications. [read post]
25 Feb 2009, 7:29 am
Broadcasters obviously already pay for music that they play – to ASCAP, BMI and SESAC. [read post]
30 Jul 2023, 9:03 am by David Oxenford and Robert Primosch
NRB-NMLC (the National Religious Broadcasters Noncommercial Music Licensing Committee) argued that their rates should have been lower as the CRB should have used the rates set for NPR as a benchmark to set rates for other noncommercial broadcasters, including noncommercial religious broadcasters. [read post]
2 Nov 2021, 9:50 am by musicandcopyright
Moreover, income from broadcasting (TV and radio) fell at a lower rate than expected. [read post]
10 Jan 2012, 3:29 pm by Ronald London
  The case came to the Court from decisions by the Second Circuit, involving broadcasts of the Billboard Music Awards and NYPD Blue, which held that the enforcement regime at the center of the FCC’s “crackdown” on broadcast indecency over the last several years had become unconstitutionally vague.The FCC argued that, whatever inherent judgment calls its “contextual” approach to indecency may present in close cases, the broadcasts… [read post]
10 Mar 2010, 9:00 am by David Oxenford
Broadcasters need to be aware that ASCAP, BMI and SESAC (the "performing rights organizations" or PROs) don't cover them for all uses of music - especially uses that may be made on station websites. [read post]
17 Dec 2019, 8:35 am by musicandcopyright
TV revenue was boosted by new licensing deals with several of India’s broadcast networks, and a good year for public performance saw total domestic performing rights double in the year. [read post]
25 Oct 2022, 7:15 am by musicandcopyright
Broadcasting income was up year on year, although the revenue source as a share of total receipts was down slightly. [read post]
27 Oct 2016, 4:34 am by David Oxenford
  The waivers allow stations to exceed these limits, only if they continue to play music in a manner consistent with normal broadcast operations. [read post]
26 Jun 2024, 6:48 am by Chris Castle
The hearing is aptly titled “Radio, Music, and Copyrights: 100 Years of Inequity for Recording Artists. [read post]