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15 Apr 2010, 9:02 am by Robert Ambrogi
The proposed rule would expressly authorize judges to permit the transmission of court proceedings by broadcast and via the Internet.The proposal is a response to the decision of the 1st U.S. [read post]
14 Apr 2010, 6:46 pm by suffolkmcls
Mass., Jan. 14, 2009) (allowing webcasting) (.pdf) Brief of Petitioner-Appellant, In Re Sony BMG Music Entertainment, No. 09-1090 (1st Cir. [read post]
13 Apr 2010, 4:15 pm by ALeonard
  Adams led them in a performance of this very challenging work on August 29, 1999, for broadcast on a Swiss radio station. [read post]
11 Apr 2010, 10:00 am by Ray Dowd
Further, live musical recordings that are captured on videotape are also copyrightable. [read post]
7 Apr 2010, 1:23 pm
(This is less true of another category of AFTRA member, musicians, since only one of the big four labels, Sony Music, is owned by an audiovisual company.) [read post]
4 Apr 2010, 11:27 am by annalthouse@gmail.com (Ann Althouse)
"We give them a 10-day deadline and any radio station found not complying with the orders... will face sharia action.... [read post]
2 Apr 2010, 12:30 pm by Howard Friedman
Music acts and story time readers will have their performances broadcast live on the Internet. [read post]
According to the complaint, filed by Todd Bonder at Rosenfeld Meyer & Susman, the art was reproduced on stage as well as on Green Day’s website and in performances of the song “East Jesus Nowhere” distributed on video, and broadcast on television as part of Green Day’s performance at the American Music Awards. [read post]
29 Mar 2010, 6:13 pm by Adam Thierer
In the second installment, “The Wrong Way to Reinvent Media, Part 2: Broadcast Spectrum Taxes to Subsidize Public Media,” I discuss proposals to impose a tax on broadcast spectrum licenses to funnel money to public media projects or other “public interest” content or objectives. [read post]
29 Mar 2010, 6:19 am
Songs Ltd and others v Amstrad Consumer Electronics Plc [1988] 1 A.C. 1013, when the sale of tape-to-tape recording machines was not regarded as "authorising" infringement of the music copied by them since the company that made and sold the machines had not acted as though it had an entitlement to permit infringing acts by those machines' users. [read post]
28 Mar 2010, 3:54 pm
In brief, this dispute arose in 2007 when Viacom (owner of Paramount movies and the MTV music networks) brought copyright infringement proceedings against YouTube (a subsidiary of Google) for the copying, display, broadcast and performance of their copyright videos and sound recordings on YouTube. [read post]
25 Mar 2010, 7:30 am by Michael Geist
  Notwithstanding some doom and gloom, the Canadian digital music market has grown faster than the U.S. market in each of the past four years. [read post]
23 Mar 2010, 7:48 am by David Oxenford
  These royalties are paid in addition to the royalties paid to ASCAP, BMI and SESAC for the public performance of the musical work - the underlying musical composition, the words and music of a song - money that is paid to the composers of that musical work. [read post]
22 Mar 2010, 4:21 pm by Simon Chester
It focused attention on four key areas of content-scholarly discourse, research data, commercially owned cultural content (movies, music, etc.), and collectively produced web content (blogs, Flickr, Facebook, Wikipedia, etc.). [read post]
18 Mar 2010, 4:07 am by David Oxenford
  In Canada, broadcasters and Internet radio companies pay not only to SOCAN, the Canadian equivalent of ASCAP, BMI and SESAC in collecting for the public performance of musical compositions, but also to CSI for the reproductions of musical compositions made in servers, buffers and other digital reproductions. [read post]
17 Mar 2010, 2:53 pm
He has been featured as an expert in numerous broadcast and print outlets including The New York Times, The Wall Street Journal, Fox Business and national Public Radio. [read post]