Search for: "People v. Keith" Results 361 - 380 of 426
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4 Aug 2008, 10:21 pm
Cotte interviewed regular gamblers at casinos, and people who gambled online, and found that the online gamblers were far more frequent and agressive in their playing, and were usually less aware of how much they had lost or how long they had played. [read post]
19 Nov 2010, 9:00 am by Rebecca Tushnet
Keith Sawyer, psychology, Washington U, The Western cultural model of creativity: Its influence on intellectual property law Studies creativity in groups. [read post]
24 Jul 2014, 9:01 pm by John Dean
District Court, better known as the Keith Case, named after the U.S. [read post]
29 May 2009, 1:53 pm by Keith Jones
More specifically, the ADAA rejects the holdings by the United States Supreme Court in Sutton v. [read post]
29 May 2009, 1:53 pm by Keith Jones
More specifically, the ADAA rejects the holdings by the United States Supreme Court in Sutton v. [read post]
6 Mar 2016, 2:51 pm by Chuck Cosson
“Tool Without a Handle”:  Tools for Terror; Tools for Peace This blog has addressed principles and challenges in countering odious online content – both content which transgresses the law and content which, while odious, is nonetheless protected free expression.[1]  In particular, I’ve touched on regulation of such content, noting principled distinctions between regulation of protected speech and regulation of justifiably restricted content that is illegal even… [read post]
5 Sep 2019, 1:55 pm by sydniemery
Keith Fogg, Can the Taxpayer Bill of Rights Assist Your Clients? [read post]
3 Oct 2010, 11:01 pm by Mark Bennett
At Balkinization, guest blogger Sharon Dolovich explains why the Supreme Court’s Farmer v. [read post]
3 Sep 2020, 9:05 pm by Max Masuda-Farkas
In addition, the new restrictions will require Chinese embassies and consular posts to obtain permission from the State Department to host cultural events with audiences of greater than 50 people. [read post]
14 Jun 2022, 6:15 am by Todd Buchwald
There is a fuller discussion in the report that Adam Keith and I produced for the United States Holocaust Museum. [read post]