Search for: "ASSOCIATION FOR RECORDED SOUND COLLECTIONS" Results 21 - 40 of 1,209
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10 Sep 2009, 12:01 pm
It sounds like you could use some professional help to "reposition" efforts. [read post]
24 Aug 2018, 7:36 am by Terry Hart
Appeals Court Revives Lawsuit Against CBS over Pre-1972 Sound Recordings — The Ninth Circuit reverses a 2016 district court decision involving the copyrightability of remastered sound recordings in an opinion that delves deeply into the question of when a derivative work evinces enough originality to be independently protected. [read post]
30 Jul 2014, 5:57 am by Michael Geist
These two rights always trigger a single payment for any type of sound recording; in the case of sound recordings of musical works, that payment is always made to a collective society authorized by the Board to collect it. [read post]
20 Aug 2013, 5:58 am by L. Gopika
Tandon noted that there were challenges ahead for the collection of royalty payments for the singers from broadcasters and others who commercially play recorded music based on a tariff.Once worked out, such a move would be hugely beneficial for the singers as anyone who plays commercially recorded music, from broadcasters, FM stations, mobile operators to malls, hotels and other public places would have to make royalty payments to the singers. [read post]
13 Dec 2016, 2:03 pm by Tamera H. Bennett
The leading collective for securing mechanical licenses is the Harry Fox Association (HFA). [read post]
28 Apr 2017, 3:14 am by Ben
In addition,  the agreement by the Zentralstelle für private Vervielfältigungsrechte (Central Collection Agency for private copying rights, ZPÜ) with the associations of the hardware industry for smartphone and tablet products had a positive effect due to the fact that a share of the resulting income is allocated to GEMA: Its income from remuneration claims substantially increased to EUR 97.9m (previous year: EUR 16.3m).Stable growth of further… [read post]
24 Jul 2018, 5:58 am
Third-party registration evidence confirmed the relatedness of sound recordings and promotional items such as clothing, cosmetics, and plush toys. [read post]
30 Jul 2014, 10:06 am by Frank Montero
Less familiar are royalties collected by performers and the recording industry. [read post]
25 Sep 2017, 10:14 am by Center for Internet and Society
Cities are deploying sensors to collect a myriad of data, including recording ambient sound and images. [read post]
7 Jun 2017, 12:03 am by musicandcopyright
Spotify agrees to settle US copyright-infringement claims Spotify is settling a legal claim made by a group of authors that accused the streaming service of reproducing and distributing sound recordings without the necessary license. [read post]
6 Jun 2013, 8:39 pm by Robert Chesney
  Yes, the Post story references a problematic-sounding approach to minimization in what is described as an NSA training manual. [read post]
4 Feb 2009, 7:38 pm
The battle over the broadcast performance royalty has begun anew, with the introduction of legislation to impose a performance royalty for the use of sound recordings on broadcast stations. [read post]
13 Feb 2014, 1:24 pm by Ben
And now the owners of sound recordings CAN collect royalties for their use on satellite radio and Internet radio services like SiriusXM, this matters - and collection society Sound Exchange estimated that it could collect 15% or so more than the $590 million it collected in 2013 if the recordings were covered. [read post]
13 Sep 2017, 4:00 pm by Cynthia Marcotte Stamer
Apart from customer calls that are recorded for quality purposes, employees may not tape or otherwise make sound recordings of work-related or workplace discussions. [read post]
8 Nov 2011, 4:24 am by David Oxenford
  Direct licensing would have Sirius pay the record labels or copyright holders for the rights to use music, avoiding any dealings with SoundExchange, which normally collects the royalties for the public performance of sound recordings under the statutory license. [read post]
25 Nov 2021, 11:45 pm by Hayleigh Bosher
The right to ER cannot be assigned, except to be administered by a collecting society, or via testamentary disposition.The producer, for the purposes of the CDPA, is the person who makes the arrangements necessary for the making of the sound recording (section 178); usually the record label if the performer has a recording contract. [read post]
29 Jul 2011, 10:16 am by Brandon D'Agostino
  In fact, in most cases, it will dramatically increase the cost associated with electronic discovery – this process adds unnecessary complexity in downstream phases of eDiscovery and leads to vast over-collection. [read post]
23 May 2021, 8:18 pm by David Oxenford
  These royalties are collected by SoundExchange from noninteractive webcasters (see our articles here, here and here on the difference between interactive and non-interactive webcasters) and are distributed to the artists who perform on recordings and to the copyright holders of those recordings – usually the record labels. [read post]