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4 Mar 2021, 11:02 am by Jonathan Bailey
Disclosure: Though I am a plagiarism expert I am not an expert on musical plagiarism. [read post]
2 Mar 2021, 3:33 pm by David Oxenford
Global Music Rights, one of the newest performing rights organization licensing the public performance of musical compositions, has agreed to extend its interim license with commercial radio broadcasters. [read post]
25 Feb 2021, 10:53 pm by Jeff Richardson
  I've used that app in the past when I was driving far from my hometown of New Orleans and I wanted to listen to the radio broadcast of a Saints NFL game. [read post]
23 Feb 2021, 8:41 am by musicandcopyright
Almost seven years ago, a California district court ruled that SiriusXM should pay royalties for the broadcast of pre-1972. [read post]
22 Feb 2021, 8:29 am by Jonathan Bailey
Eir, however, argued that Virgin was required to offer those channels to them as part of the 2009 Broadcasting Act. [read post]
16 Feb 2021, 7:00 am by Katitza Rodriguez
Private ESOs subject to this obligation are any digital marketplace, financial services, social media and content sharing platforms, cloud service providers, search engines, instant messaging, email, video, animation, music, film and games, or any application which collects, processes, or analyzes users’ data for electronic transactions within Indonesia. [read post]
14 Feb 2021, 4:05 am by WIRED
Sunday sermons are broadcast live and posted to the church’s YouTube channel for congregants to watch anytime. [read post]
12 Feb 2021, 9:31 am by Hayley Silvertown
Companies are offering stand-alone experiences that integrate augmented reality and virtual reality at events, such as Samsung and Live Nation’s broadcast of a VR Coldplay concert, as well as through in-store location based applications to encourage a seamless “try before you buy” approach, like Gucci’s AR apparel and accessories try-on app. [read post]
12 Feb 2021, 9:31 am by Hayley Silvertown*
Companies are offering stand-alone experiences that integrate augmented reality and virtual reality at events, such as Samsung and Live Nation’s broadcast of a VR Coldplay concert, as well as through in-store location based applications to encourage a seamless “try before you buy” approach, like Gucci’s AR apparel and accessories try-on app. [read post]
11 Feb 2021, 9:16 am by Jonathan Bailey
The song was nonetheless registered with German music groups and he continued to collect royalties on it. [read post]
10 Feb 2021, 9:43 pm by Frances Drummond (AU)
Mysteriously however, ‘Sorry’ was subsequently broadcast on a popular New York radio station without Chapman’s permission or Minaj’s alleged input. [read post]
10 Feb 2021, 9:43 pm by Frances Drummond (AU)
Mysteriously however, ‘Sorry’ was subsequently broadcast on a popular New York radio station without Chapman’s permission or Minaj’s alleged input. [read post]
10 Feb 2021, 8:39 am by Jonathan Bailey
Australia is currently considering new legislation that would force Google and Facebook to pay news publishers and broadcasters for any of their content that has shared. [read post]
7 Feb 2021, 8:02 am by David Oxenford and Adam Sandler
  (Broadcast Law Blog) We wrote about the “performance complement” and other music licensing issues while we wait for the Copyright Royalty Board to say how much webcasters(including broadcasters who simulcast their over-the-air programming on the internet) will pay for the public performance of sound recordings for 2021 through 2025. [read post]
3 Feb 2021, 8:52 am by David Oxenford
Note that the rules set out below are slightly different for certain broadcasters, as the NAB in 2016 entered into agreements with Sony and Warner Music Groups to waive certain of the statutory requirements for broadcasters who stream their over-the-air signals on the Internet. [read post]
This is followed by a suggestion to read Twitch’s DMCA Guidelines, Community Guidelines, Music Guidelines, and Terms of Service. [read post]
29 Jan 2021, 5:35 am by Paul J. Bezilla
On January 15th, the Department of Justice announced it has ended its two-year review of the 80-year old consent decrees that govern the operation of the largest music performing rights organizations in the United States: ASCAP (American Society of Composers, Authors and Publishers) and BMI (Broadcast Music, Inc.). [read post]