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27 Jan 2021, 12:37 am by musicandcopyright
When COVID-19 restrictions first closed down clubs, music halls, and festivals, virtual broadcast performances seemed to offer little more than comfort to a sector in shock. [read post]
23 Jan 2021, 8:44 pm by David Oxenford and Adam Sandler
We took a deeper look, here, at what this means for the future of the consent decrees and the state of play in the music licensing world. [read post]
20 Jan 2021, 9:08 am by David Oxenford
This action is significant for broadcasters and other music users as it leaves in place these consent decrees that are the basis on which so many businesses use music in their day-to-day operations. [read post]
17 Jan 2021, 3:31 pm by Chuck Cosson
  Most conspicuously where that user is using the platform to broadcast false claims of injustice and election fraud, and to intimate a violent response to such fraud could be justified. [read post]
16 Jan 2021, 4:21 pm by David Oxenford and Adam Sandler
  The review found that, while there was a desire by ASCAP and BMI and some in the music industry for reforms to the decrees, music users believe that they are generally working well. [read post]
Instead of broadcasters exploiting artist’s works, artists should have the right to negotiate rates the broadcasters must pay in exchange for airing their music. [read post]
13 Jan 2021, 1:12 am by musicandcopyright
Distributions also hit new highs, although the total was boosted by backdated payments by the public broadcaster the SABC. [read post]
8 Jan 2021, 12:11 pm by Chris Castle
It often comes from broadcasters fighting equitable remuneration for recording artists on terrestrial radio by attempting to limit their total payment for both sound recordings and songs to the amount that they historically have paid for songs only. [read post]
8 Jan 2021, 9:25 am by David Oxenford
The Copyright Royalty Board today published a Federal Register notice announcing that SoundExchange was auditing a number of broadcasters and other webcasters to assess their compliance with the statutory music licenses provided by Sections 112 and 114 of the Copyright Act for the public performance of sound recordings and ephemeral copies made in the digital transmission process by commercial webcasters. [read post]
30 Dec 2020, 7:30 am by Steven Palermo
Decorate, play music, and have a dance party with the people you live with. [read post]
29 Dec 2020, 4:52 pm by Sabrina I. Pacifici
The Grammy hopeful spoke to Jon Wertheim for a 60 Minutes profile to be broadcast Sunday, January 3 at 7:30 p.m. [read post]
27 Dec 2020, 11:20 am by Eric Goldman
Tokyo Broadcasting System Television, No. 19-55981 (9th Cir. [read post]
21 Dec 2020, 9:10 am by David Oxenford
There was no Alexa to bring Amazon and other music services into the home – in fact, Amazon itself had only begun selling books online in 1995. [read post]
18 Dec 2020, 4:57 am by China Law Blog
Listen HERE or stream on Spotify, Apple Podcasts, Google Podcasts, Amazon Music, Stitcher, or Soundcloud! [read post]
16 Dec 2020, 12:50 am by Chijioke Okorie
Also, Nigeria’s National Broadcasting Commission (NBC) published Amendments to the 6th Edition of the Nigerian Broadcasting Code (NBC Code amendments) in June, after public presentation of the amendments to stakeholders in the broadcast media industry in Nigeria. [read post]
15 Dec 2020, 6:10 am by Michael Geist
It includes exclusions from the scope of regulation (video games), revisit the definition of Canadian programs. tax credits policies for Canadian content, IP policy, Copyright Board work on music licensing, French language support, regulation of online broadcasters, and support for racialized groups. [read post]
10 Dec 2020, 2:11 pm by Richard T. Kaplar
  From its early beginnings, the Internet has become a vast network through which consumers access videos, sports, music, social media, and much more. [read post]