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15 Oct 2017, 3:53 am
In particular, traditional radio broadcasting strenuously resisted paying licence fees for broadcasting recorded music. [read post]
24 Jul 2015, 9:43 am by David Oxenford
The agreement also limits the ability of SESAC to restrict writers and publisher members from directly licensing their music to broadcasters. [read post]
22 Dec 2014, 9:38 am by David Oxenford
A decision by the US Court of Appeals on the appeal of the Copyright Royalty Board decision as to the Sirius XM and Music Choice royalties for the public performance of sound recordings is one of the many year-end decisions important to broadcasters and digital media companies that seems to be flooding out from Courts and agencies in DC and elsewhere. [read post]
15 Dec 2020, 6:10 am by Michael Geist
It includes exclusions from the scope of regulation (video games), revisit the definition of Canadian programs. tax credits policies for Canadian content, IP policy, Copyright Board work on music licensing, French language support, regulation of online broadcasters, and support for racialized groups. [read post]
8 May 2012, 6:52 pm by David Oxenford
Using music online in ways other than webcasting can pose legal issues as we explained in our advisory here. [read post]
28 Aug 2014, 4:06 pm by admin
Original literary, dramatic, musical, and artistic works. [read post]
29 Mar 2009, 3:18 pm
  For instance, a copy of songs from a CD made by a broadcaster to put the music into a station's hard drive music system would be an ephemeral copy that normally could not be retained for more than 6 months without negotiating a license with the copyright holders. [read post]
12 Jan 2009, 1:53 am
One debate I have an interest in is the ’shelfspace’ one that has been an enduring feature of Canadian broadcasting policy - so for example, Canadian music quotas for pop radio in one era becomes a percentage of available and featured titles in video-on-demand systems. [read post]
13 Aug 2013, 1:27 pm by Randy Barnett
(Randy Barnett) Israeli pianist Astrith Baltsan explains the music of George Gershwin before a performance of Rhapsody in Blue with the Israel Philharmonic in a 2001 live broadcast on Israel TV. [read post]
8 Nov 2007, 9:43 am
 Basically, these were the digital cable music services that were in operation in 1997. [read post]
30 Jul 2012, 12:12 pm by ipandentertainmentlaw
  From the opening and closing ceremony’s, to the television broadcasts, to the live performances occurring at official Olympic events around London — Music is key to capturing the Olympic spirit. [read post]
15 Jan 2015, 8:57 am by Kyle Orland
Twitch says the song selection comes from "established and burgeoning labels," but you won't find songs from major pop music conglomerates like Sony BMG, Universal Music, EMI, or Warner among the choices. [read post]
29 Jul 2008, 5:11 am
The conditions placed on the merger and outlined by the decision include some surprising ones beneficial to broadcasters, including that the merged company not use its terrestrial repeaters to originate local broadcasts and that the company not enter into exclusive agreements precluding the broadcast of local sporting events by over-the-air broadcast stations. [read post]
23 Jun 2013, 6:14 pm by David Oxenford
 As stated by company lawyer Christopher Harrison in an article in the Hill newsletter published in Washington, DC, the purchase was done so that Pandora could qualify as a broadcaster to take advantage of the agreement between the Radio Music Licensing Committee and ASCAP, setting the rates that broadcast companies pay for the right to publicly perform musical compositions in the repertoire of ASCAP (see our summary of that agreement here). [read post]
13 Feb 2018, 6:44 am by Kevin Goldberg and Karyn K. Ablin
Over the past 14 months, we’ve kept our readers updated on the music licensing fight between the Radio Music License Committee (RMLC) and Global Music Rights (GMR). [read post]
20 Jan 2013, 6:43 pm by David Oxenford
All a broadcaster, digital media company or other music user needed to do was to pay ASCAP, BMI and SESAC royalties (ASCAP, BMI and SESAC are often referred to as the PROs, or Performing Rights Organizations) – and the music service essentially had the rights to publicly perform virtually all the musical compositions in the world. [read post]
1 Jun 2015, 7:06 am by Jeremy
Comp Music Publishing sought compensation for infringement of copyright owned by its client, the multinational music recording and publishing company EMI Music Publishing.Between February and March 2010, life:) conducted an advertising campaign in which it ran a total of 4,369 broadcasts of a commercial, on 20 Ukrainian TV channels, that contained a musical composition based on the British recording artist Lily Allen’s 2009 hit single F*** You,… [read post]
13 Aug 2012, 11:03 am by David Oxenford
About 6 years ago, I started the Broadcast Law Blog, with a colleague now at the FCC, while at the law firm of Davis Wright Tremaine LLP. [read post]
8 Jun 2022, 5:55 am by Michael Geist
TikTok did not appear before the Standing Committee on Canadian Heritage as part of its Bill C-11 study, but one of the world’s most popular user generated content sites issued a warning that even Canadian Heritage Minister Pablo Rodriguez can’t ignore: if the bill becomes law, “any video on TikTok that uses music could be subject to regulation under the Broadcasting Act. [read post]