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18 Jan 2019, 11:10 am by Danny O'Brien
At this point, it’s only the music industry that has any hunger left for Article 13 – all the other major European rightsholders have backed away from its dangerously vague language, and have now turned against it. [read post]
18 Jan 2019, 5:41 am
A storyline would evolve alongside the music. [read post]
17 Jan 2019, 6:27 pm by Mitch Stoltz
We’ve had great art, music, film, and writing for far longer than we’ve had the World Wide Web. [read post]
16 Jan 2019, 12:53 am by musicandcopyright
Ongoing and lengthy legal action against FM radio broadcasters has so far failed to reverse previous legal rulings that the broadcasters do not have to pay royalties to IPRS for the use of its members’ content. [read post]
15 Jan 2019, 8:03 am by David Oxenford
Broadcasters who stream their signals would likely participate, especially as their digital transmissions are becoming more important to some broadcast stations (see our article here on the fact that smart speakers increase digital listening to radio stations – listening on which the SoundExchange royalties must be paid). [read post]
15 Jan 2019, 4:00 am by Victor Medina
Not only would you get every episode that we broadcast, but you will also get all the prior episodes as well. [read post]
8 Jan 2019, 9:06 am by David Oxenford
Upfront minimum fee payments will also be due under various music license agreements by the end of the month. [read post]
7 Jan 2019, 6:00 am by Terry Hart
We can already see positions being staked out: for example, the National Association of Broadcasters is supporting the law’s expiration, while the Satellite Broadcasting & Communications Association is looking to make the provisions permanent. [read post]
30 Dec 2018, 4:13 am
 Registration was sought for goods and services in Classes 9 (apparatus for recording, transmission or reproduction of sound or images), 35 (business management, business administration, market research services, export services), and 38 (telecommunication services, in particular mobile telephony, broadcasting of radio and television programmes) of the Nice Classification. [read post]
30 Dec 2018, 3:03 am by Ben
Doug Collins and Hakeem Jeffries said that their Music Modernization Act would "bring music licensing its first meaningful update in almost 20 years". [read post]
29 Dec 2018, 8:11 am by Barry Sookman
” “The era when the only ways for people to learn the news were to listen to the radio, read a print newspaper or watch a live news broadcast is long past. [read post]
20 Dec 2018, 7:05 am by Michael Geist
Fournier Why Fair Dealing Safeguards Freedom of Expression: The Case of the Vancouver Aquarium Why Fair Dealing Benefits Creators: The Case of a Room Full of Spoons Access Copyright Calls for Massive Expansion of Damage Awards of Up To Ten Times Royalties Value Gap and the Music Industry Music Industry’s Canadian Copyright Reform Goal: “End Tech Companies’ Safe Harbours” Who Needs an iPhone Tax: Canadian Music Industry Instead Calls for $40 Million… [read post]
14 Dec 2018, 10:34 am by Kevin Goldberg and Karyn K. Ablin
Typically (although not invariably), broadcasters (commercial and noncommercial) have not participated individually but have been represented in these webcasting proceedings by various trade associations and other organizations such as  the National Association of Broadcasters, the National Religious Broadcasters Noncommercial Music License Committee, National Public Radio, College Broadcasters, Inc., and Intercollegiate Broadcasting System.… [read post]
14 Dec 2018, 7:25 am by Ben
SGAE (Sociedad General de Autores y Editores) has been repeatedly in the news since June 2017, when police raided its offices in search of documentation relating to an alleged scam dubbed ‘the Wheel’ (‘la Rueda’), in which a small number of SGAE members and TV execs allegedly conspired to create “low-quality music” – often reworked versions of songs in the public domain – then broadcast on late-night TV, generating performance… [read post]
13 Dec 2018, 5:15 am by Chris Castle
Brussels, 13th December 2018 We are writing to you as a group of organisations representing European authors, composers, songwriters, featured artists, picture agencies, book publishers, academic publishers, audiovisual producers and broadcasters, independent and major music producers and publishers, and news and media companies. [read post]
12 Dec 2018, 6:09 am by David Oxenford
  This exception is based on the physical size of the business and the number of broadcast receivers that it uses. [read post]
10 Dec 2018, 8:58 am by kathryntyne
The final rights we have to consider are in the performance and broadcast. [read post]
6 Dec 2018, 6:15 am
Neither do the people who rent cars constitute a new public because they have the ability to access the same musical works which are being broadcasted through the car's radio, through their smartphones that can be connected to the car's control and information system.SAMI v Nordisk Biluthyrning Nordisk Biluthyrning also submitted to the Patent and Market Court that it does not publicly transmit or transfer sound recordings to the public. [read post]
2 Dec 2018, 3:15 am by Barry Sookman
Share your stories https://t.co/PWHIA6123j 2018-11-28 New Zealand music biz welcomes Issues Paper on review of Copyright Act https://t.co/Gb3Nl3Y9KM 2018-11-28 New Zealand Launches its Copyright Review: Calculating the Economic Benefits will be a Key Issue https://t.co/yf8xiwJcSg 2018-11-28 Computer and Internet Updates for 2018-11-28 https://t.co/xLxlK32gM3 2018-11-29 Computer and Internet Updates for 2018-11-28 https://t.co/x3JAKHO0BE 2018-11-29 Stephen Colbert accuses Trump of… [read post]
29 Nov 2018, 9:09 am by David Oxenford
As we have pointed out before, a broadcaster or other media company that has performance licenses from ASCAP, BMI, SESAC and even GMR does not get the right to podcast music – nor do the SoundExchange royalty payments cover podcasts. [read post]