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16 Feb 2017, 5:52 am by Editor Charlie
Get […] via #IRespectMusic: It’s Time for the New Congress to get Serious About the Performance Right for Artists — Music Tech Solutions [read post]
16 Dec 2015, 11:06 pm by David D. Burns
  Services such as Spotify and Apple Music, which allow listeners to choose individual songs to listen to, negotiate licensing arrangements privately with record labels and are not affected by these rates. [read post]
16 Apr 2014, 7:16 am by Ben
Remember the CJEU said this when applying competition law "A system of licences for the broadcasting of football matches which grants broadcasters territorial exclusivity on a Member State basis and which prohibits television viewers from watching the broadcasts with a decoder card in other Member States is contrary to EU law": Surely the public FAPL must had in mind is the whole of Europe. [read post]
23 Apr 2013, 11:59 am by Prashant Reddy
In this post, I summarize and comment on T-Series’ challenges to these two provisions – Prashant has pithily recapped the challenges to the Copyright Board here.Section 31(1)(b) sets out the regime for the compulsory licensing of works that have been withheld from the public, while s.31D creates a statutory licensing regime that allows compliant broadcasters to broadcast any literary and musical works or sound recordings. [read post]
18 Dec 2011, 6:10 pm by StephanieWestAllen
The program was originally broadcast on Wisconsin Public Television's University Place. [read post]
2 Jul 2007, 6:53 pm
Highlighting continuing tension between the music industry and Apple Inc., Vivendi SA's Universal Music Group is considering notifying the Cupertino, Calif., company that it isn't renewing a long-term contract to sell digital-music downloads through the increasingly powerful iTunes Store, according to a person familiar with the situation. [read post]
8 May 2011, 8:01 pm by David Oxenford
  This exclusion would seemingly include broadcaster's Internet simulcast's of their over-the-air programming. [read post]
7 Jun 2022, 5:38 pm by Sabrina I. Pacifici
Sound libraries will no longer add new commercial music releases to the music bank and producers must access music for programs themselves. [read post]
1 May 2007, 2:59 pm
  Leaving aside the additional contributions during the January 2006 election campaign from EMI Music Canada and two Sony BMG Music Canada executives (which is apparently par for the course) and $2500 from Canwest's Leonard Asper just two days after the election, the return reveals several contributions made just weeks before the planned fundraiser. [read post]
4 Jul 2007, 1:22 pm
These broadcasters have never had to pay royalties, but the RIAA now apparently believes that radio is more a substitute for than a complement to sales of recordings: In a study published earlier this year, University of Texas at Dallas economics professor Stan Liebowitz argues that radio acts as a substitute for music sales. [read post]
17 Dec 2014, 10:15 am by Jonathan Bailey
The case, filed in 2005, focused on updates made to the iTunes application that the lawsuit claimed were anti-competitive because they prevented iTunes-purchased music from being played on other apps and devices. [read post]
11 Jun 2014, 8:58 am by David Oxenford
  ISRC codes are unique identifiers that are supposed to be assigned to every version of a recorded song, though many webcasters (including broadcasters who stream their over-the-air programming) have contended that these codes are not readily available in the music that they play – including in music provided by sound recording copyright owners own promotional people. [read post]
9 Feb 2022, 8:32 am by David Oxenford
The cost of music programming ties into a story on the arguments over broadcast music royalties, which we will likely publish next week. [read post]
5 Apr 2017, 7:01 pm by Chris Castle
Our bill puts forward a workable solution that would allow those who would otherwise be paid a performance right to opt out of allowing broadcasters to play their music if they feel they’re not being appropriately compensated. [read post]
14 Nov 2011, 2:17 pm by David Kravets
The facts of the dispute concern FCC rulings that “fleeting expletives” uttered during the 2002 and 2003 Billboard Music Awards were indecent. [read post]
9 Dec 2016, 8:54 am by David Oxenford
But for the broadcaster who is trying to figure all this out, with the potential demands for licensing from GMR on January 1, 2017 when the withdrawal from ASCAP and BMI of much of the music that it represents becomes effective, what are stations to do? [read post]
Many prominent members of the music and entertainment community have identified Tennessee’s law as an important step forward for the protection of artists’ (and others’) voice and likeness. [read post]
10 Feb 2020, 6:05 am by Michael Geist
The release of the much-anticipated Broadcast and Telecommunications Legislative Review Panel report late last month sparked a torrent of discussion and debate. [read post]