Search for: "Creative Marketing v. AT&T" Results 81 - 100 of 987
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20 Mar 2013, 3:23 pm by Howard Knopf
However, Wiley and other American copyright owners in various legacy and IP maximalist sectors believe that they are entitled to segment markets, practice international price discrimination and to charge what the market will bear in various geographic markets. [read post]
20 Mar 2013, 3:23 pm by Howard Knopf
However, Wiley and other American copyright owners in various legacy and IP maximalist sectors believe that they are entitled to segment markets, practice international price discrimination and to charge what the market will bear in various geographic markets. [read post]
8 Aug 2013, 1:41 pm by Rebecca Tushnet
  Creative elements already present in the underlying work can’t be part of the protectable increment of the derivative work. [read post]
11 Oct 2022, 11:34 am by Florian Mueller
One part of that overlaps with a question relevant to market definition: whether there can be a market for something Apple doesn't sell separately. [read post]
21 Feb 2013, 9:25 am by Rebecca Tushnet
  If we are going to talk about patents v. copyrights, across the board motivations are the same for sciences and expressive arts. [read post]
12 Mar 2018, 2:14 pm by Susan Letterman White
” – Tom Kelley & David Kelley, Creative Confidence Many organizations today, including just about every law firm that isn’t in the Am Law 25 and all but a handful of law schools, are facing existential challenges. [read post]
17 Apr 2023, 2:20 pm
Regardless of how high a city sets those charges, it's not like SDG&E (or PG&E, or whomever) is going to say: "Screw it, we're going to get of the monopoly market in that city and no longer provide power. [read post]
18 Jun 2020, 11:19 am by Rebecca Tushnet
Why factor three rarely matters in transformative purpose cases: it doesn’t matter to meaning and it doesn’t matter to markets. [read post]