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15 Jun 2016, 10:00 pm
The case is likely to be appealed but if the ruling stands it will create many new issues and practical questions that could have major implications on the music industry. [read post]
15 Jun 2016, 4:58 am by Ben
" The third appellant, Paul Duffy, died last year.All three major record labels, along with 50 other rights owners and platforms, including Spotify, Pandora, SACEM and YouTube, have committed to creating a new system to “dramatically simplify the way that music creators and rights owners are identified and compensated”. [read post]
13 Jun 2016, 7:45 am by Chris Castle
  To the consternation of (at least some) label lawyers, there now is a mushy morass where a bright line previously gave guidance. [read post]
10 Jun 2016, 4:58 am by Terry Hart
” Irving Azoff Calls on Music Industry to ‘Work Together’ in National Music Publishers’ Assn. [read post]
10 Jun 2016, 3:48 am by Ben
If a streaming music service tried to use the band’s music for free, they’d have none of it. [read post]
9 Jun 2016, 7:38 am by Rebecca Tushnet
  There are no hidden qualities when you claim that the trade dress is the manner of presentation of music files.] [read post]
8 Jun 2016, 7:32 am by Chris Castle
Azoff, one of the few in the music industry who has stood up to Google, a YouTube star asked why does the music industry keep taking the money from YouTube if it’s so awful. [read post]
8 Jun 2016, 7:31 am by David Oxenford
But on one of those issues, whether the CRB can decide on different rates for music from independent labels from those set for music from major labels, SoundExchange took no position. [read post]
8 Jun 2016, 2:59 am by SHG
At a time when mindless labels and shallow thought is as much as most people can muster, she rationalized away what her friend did. [read post]
6 Jun 2016, 6:59 pm by Kevin Goldberg
(We hope that our younger readers will appreciate the links we have provided to pictures of each of these, in case you are unfamiliar with these prehistoric music delivery media and products). [read post]
3 Jun 2016, 3:29 pm by Colette Ghazarian and Kit Walsh
The belief that sampling requires permission, and the prohibitive prices demanded by rightsholders, have contributed to the consolidation of hip-hop music under a shrinking number of labels, to the point that Universal Music Group controlled 80% of the genre’s top hits by 2013. [read post]
3 Jun 2016, 1:13 pm by Chris Castle
So why shouldn’t artists be able to just say no and keep all of their music (or other work product) off of YouTube? [read post]
3 Jun 2016, 3:00 am by Ben
The labels are going to have a battle fighting this one, as they already file new copyrights for re-masters - which might extend the life of copyright for those gleaming new digital re-masters - but this plays into terrestrial broadcaster's hands. [read post]
1 Jun 2016, 8:22 am by Lindsay Stafford Mader
Minimize the production company’s share of non-record revenue (touring, etc.) and don’t give more than 10 percent (labels will ask for a cut but you can say that what the label gets has to come from the production company’s percentage). [read post]
1 Jun 2016, 6:00 am by Jonathan Bailey
Let me know via Twitter @plagiarismtoday. 1: Kraftwerk Loses German Hip-Hop Copyright Case in Top Court First off today, the BBC is reporting that the electro-pop band Kraftwerk has lost its case against German music producer Moses Pelham as the German Constitutional Court, the highest court in the country, ruled that a two-second drum sample did not infringe on the band’s copyright. [read post]
31 May 2016, 6:00 am by Jonathan Bailey
As such, Dienel is suing Bieber and Skrillex as well as other writers and Bieber’s label, Universal Music. [read post]
28 May 2016, 8:31 am by Chris Castle
David you’re one of the smartest guys on the block, and […] via @thetrickness: Most Music Tech Startups Don’t Know Shit About How Labels Work – A Response To David Pakman — Artist Rights Watch [read post]
27 May 2016, 5:20 am by Terry Hart
” Most Music Tech Startups Don’t Know Shit About How Labels Work – A Response To David Pakman — A point-by-point takedown of Pakman’s article about how “The Music Business Buried More Than 150 Startups. [read post]
25 May 2016, 1:03 am by musicandcopyright
Add to this the fact that all the major labels have confirmed in the last few weeks that streaming was the top recorded music revenue source in the first quarter of this year. [read post]
24 May 2016, 6:45 am by Jonathan Bailey
SoundExchange represents recording artists – from unsigned A Cappella to Death Metal to Americana to multi-platinum stars and master rights owners including major and independent record labels. [read post]