Search for: "Broadcast Music" Results 1281 - 1300 of 3,084
Sorted by Relevance | Sort by Date
RSS Subscribe: 20 results | 100 results
8 Apr 2016, 9:42 am by David Oxenford
Certain genres of music where lyric choices are not G-rated are played during those hours. [read post]
26 Apr 2012, 3:19 pm
NCB administered the rights to record and copy music for composers, songwriters and music publishers in a number of Nordic and Baltic States. [read post]
31 Jan 2019, 6:05 am by Michael Geist
While the ACTRA call for government sanctions against search engines that refuse to prioritize Cancon in search results is an extreme example, many have asked the Broadcast and Telecommunications Legislative Review panel to either mandate that a certain percentage of the Netflix library consist of Canadian content or that it more actively promote Cancon on the service. [read post]
24 Oct 2018, 7:05 am by Eric Goldman
  FCC-licensed broadcast transmissions are exempt from having to pay royalties to sound recording copyright owners. [read post]
14 Aug 2019, 9:10 am by Chris Castle
”  I recently found a bunch of unlicensed uses of my music on a Chinese broadcaster’s channel: these were TV shows where my tunes were used as underscore and then the series were put on YouTube and monetized. [read post]
15 Mar 2023, 7:21 am
Unlike Twitter or Instagram, there’s no scope to broadcast your brand here; everybody’s just thrown together, like at a ’90s music festival with no music. [read post]
4 Feb 2016, 4:00 am by Lloyd J. Jassin
Co., Inc., 807 F. 2d 1110 - Court of Appeals, 2nd Circuit 1986ABKCO Music, Inc. v. [read post]
3 Feb 2017, 6:42 am by Ben
., the California-based company whose principals are Turtles vocalists Mark Volman and Howard Kaylan, filed the lawsuit in 2013 alleging copyright infringement involving music made prior to 1972. [read post]
7 Oct 2013, 12:53 pm by Woodrow Pollack
Broadcast Music, Inc. sued a bar (Evie's Tavern Ellenton) and its owner for copyright infringement. [read post]
13 Mar 2015, 2:06 pm by Howard Knopf
I won’t begin to analyse them, other than to say that there was a surprising amount of agreement amongst a number of normally strange group of bedfellows (including Music Canada, Access Copyright, major broadcasters and yours truly) that the recommendations might make proceedings even longer and more expensive at the Board. [read post]
4 Feb 2016, 4:00 am by Lloyd J. Jassin
Co., Inc., 807 F. 2d 1110 - Court of Appeals, 2nd Circuit 1986ABKCO Music, Inc. v. [read post]
5 Jul 2011, 11:53 pm by Michael Geist
The winner so far comes from the Stingray Digital Group, which warns: Just as Napster wreaked havoc on the record label industry in the early 2000’s and played a major role in the collapse of the music retail industry, so too will the new breed of OTT music services materially disrupt licensed Canadian music services and the Canadian broadcasting system if the status quo is left unchecked. [read post]
23 Jul 2014, 10:36 am
However, broadcasters’ views were divided on this very issue. [read post]
9 Jun 2013, 7:37 am by David Oxenford
 While certainly more issues may arise, they arise in this context of dealing with these fleeting incidents, not as part of an attempt to turn broadcast TV into some X-rated video service. [read post]
30 Jun 2019, 9:18 am by David Oxenford
  Any fundamental change in these consent decrees could significantly affect the costs of the use of music by broadcasters and other audio companies – so this is a very important proceeding. [read post]
27 Jan 2015, 10:16 am by Ben
" The plaintiff says that the sound recording was embodied in a 2008 episode of the ABC series Desperate Housewives and that the string overdub portions of the music were recorded at the same recording facility used by Zimmer to create most of the musical score for 12 Years a Slave. [read post]
3 Sep 2015, 4:39 am by Ben
 Thanks to a recent contract with Sony Music, Russia's Zvooq has become the country's only fully licensed and independent music service. [read post]
28 Jan 2019, 8:32 am by Ben
” He also argues that “current normative structures ought to be adapted to reflect this more profound understanding of the impulse to share music. [read post]