Search for: "Authors' Licensing and Collecting Society"
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28 Apr 2015, 10:03 am
Liebman, 303 N.Y. 88 (1951) (plaintiff attorney sued defendant author, because defendant refused to pay plaintiff commissions agreed upon in contract, arguing contract by which defendant employed plaintiff to represent him as personal manager was void because plaintiff was not licensed as talent agent under NY law). [read post]
6 Jun 2017, 12:17 pm
New EU developments in collective management of copyrightSylvie Nerisson talked over new EU developments in collective management of copyright, which plays a role at the crossroad of copyright reforms (multiterritorial licenses, the position of publishers, opt-out schemes…). [read post]
11 May 2016, 5:36 am
Authors’ society GEMA has also registered three straight years of revenue growth with total collections last year just edging past the previous year’s record total. [read post]
24 Oct 2014, 4:20 am
This is yet another example of antiquated liquor laws in a modern society. [read post]
26 Apr 2008, 11:01 pm
We have the right to license our works and control the ways in which they are used.3. [read post]
16 Apr 2014, 7:16 am
Now all four of these defendants have pleaded guilty to charges of conspiracy to commit criminal copyright infringement.And finally, Google has called for content licensing in the European Union to be simplified: In its submission to the European Commission's public consultation on the review of copyright rules Google says: "We believe the [European] Commission should consider appropriate means of ensuring that rights that cover a single act of exploitation are licensed… [read post]
24 Jul 2012, 2:06 am
By definition, MTL requires at least 2 territories of Member States and relates to author’s online rights in musical works, which include the rights of reproduction and communication to the public/making available, as set forth in arts. 2 and 3 of the Information Society Directive. [read post]
11 Aug 2011, 12:51 am
It moreover discusses the potential need for an unwaivable right to remuneration for authors and performers for the making available of audiovisual works, as well as ways of improving the accessibility of online content. [read post]
24 Apr 2019, 1:48 am
The focus of our efforts is on performers, authors and ultimately all creatives who naturally make use of the new tools that digitisation and connectivity provide for creative work. [read post]
10 Feb 2014, 5:27 am
The second is whether the individual's subjective expectation of privacy is one that society is prepared to recognize as reasonable. . . . [read post]
17 May 2008, 5:25 am
To address the growing confusion and concern around music copyright, ASCAP, the American Society of Composers, Authors and Publishers, published a position paper to demystify the basic rights of music creators. [read post]
12 Nov 2014, 10:04 pm
This means that the collected compensation could be divided among the Collective Society’s members, without necessarily being paid to the legitimate right holder. [read post]
29 Oct 2014, 6:02 am
As it turned out, there were already quite a few digital copyright libraries (including collecting societies and photo libraries) around with facilities for licensing -- but there were some loose strings in need of being tied up. [read post]
23 Apr 2020, 6:37 am
The court engages in a lengthy historical analysis of the copyright collective provisions in the law (drawing heavily from Professor Katz’s work), leading to the following: All of this emphasizes the fact that the collective society/tariff regime is a means of regulating licensing schemes which, by definition, are consensual. [read post]
23 Apr 2020, 6:37 am
The court engages in a lengthy historical analysis of the copyright collective provisions in the law (drawing heavily from Professor Katz’s work), leading to the following: All of this emphasizes the fact that the collective society/tariff regime is a means of regulating licensing schemes which, by definition, are consensual. [read post]
24 May 2017, 2:56 pm
The authors repeatedly remind us that who makes the decision between what is owned and what is licensed is crucial – both on the individual and societal scale. [read post]
15 Apr 2011, 5:42 am
Factors considered include the following: • role of ‘families’ such as the International Confederation of Societies of Authors and Composers (CISAC) and the International Federation of Reproduction Rights Organizations (IFRRO); • cases where the unavailability of adequate licensing options makes authorized use impossible; • growing importance of extended repertoire systems (also known as extended collective… [read post]
15 May 2017, 12:54 pm
In short, this creates what amounts to a tax on copyright works made available on online streaming services, payable to the collecting societies that administer copyright on behalf of authors and performers (though the tax itself is separate from the copyright holder's economic rights). [read post]
7 Jan 2020, 12:31 pm
But § 2(b)(3) of the License reserves Great Minds’ right to collect royalties for commercial uses of Eureka Math (…).To the extent possible, the Licensor waives any right to collect royalties from [the licensee] for the exercise of [these NonCommercial] Licensed Rights, whether directly or through a collecting society under any voluntary or waivable statutory or compulsory licensing scheme. [read post]
4 Jul 2017, 11:55 pm
”The rationale behind intellectual property protection is that our society benefits if authors and inventors can generate profit from their work. [read post]
