Search for: "BMI" Results 261 - 280 of 1,141
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6 Dec 2011, 3:38 pm by Eriq Gardner
Eriq Gardner Deyon Davis says that the performance rights organization is a "bully" and is taking advantage of music publishers in the way it accounts for song royalties from TV networks.read more [read post]
13 Apr 2016, 4:45 am by Jon Hyman
BNSF’s policy was not to hire for a safety-sensitive position if the applicant’s BMI was 40 or greater. [read post]
9 Jul 2015, 9:34 am by David Oxenford
Also, it is worth noting that broadcasters have some coverage for playing their own signals under their license agreements with ASCAP and BMI. [read post]
23 Nov 2022, 9:03 pm by Henry Fisher
BMIs also present cybersecurity risks to users. [read post]
15 Nov 2007, 6:55 pm
  When the BMI royalties on small stations rose by only a few dollars four of five years ago when a new royalty system to compensate BMI's composers was adopted, I had dozens of calls from small market stations complaining about the impact that the minor rise in expenses had on their operations. [read post]
26 Sep 2017, 4:23 pm by Paul J. Bezilla
ASCAP, BMI, SESAC or GMR, gives the songwriter some protection of their intellectual property rights in their songs. [read post]
24 Apr 2014, 4:28 pm by LTA-Editor
We previously covered Pandora’s licensing dispute with performing rights organizations ASCAP and BMI, but this time around, it’s a bit more serious. [read post]
5 May 2022, 8:56 am by Michael H. Anderson, Ph.D.
Neuralink is a brain-machine interface (BMI) company purchased in 2016 by Elon Musk, the CEO of Tesla, Space X and Hyperloop. [read post]
31 Oct 2019, 3:30 am by Eric B. Meyer
The company’s policy was not to hire anyone with a BMI of 40 or greater because of the “substantially higher risk of developing certain conditions like sleep apnea, diabetes, and heart disease and the unpredictable onset of those conditions can result in sudden incapacitation. [read post]
18 Feb 2020, 8:52 am by David Oxenford
Global Music Rights, the relatively new performing rights organization that signed a number of composers of popular songs away from ASCAP and BMI in order to seek higher music royalties for the public performance of their works on radio stations and other media platforms (see our articles here and here), lost one round in its litigation with the Radio Music License Committee in RMLC’s attempt to bring GMR under some sort of rate review under the antitrust laws. [read post]
29 Mar 2016, 6:30 am by Heather Klaus
A couple pounds a year can add up to an increased BMI over time. [read post]
13 Dec 2016, 4:49 am by FHH Law
Called Global Music Rights, it was founded in 2013 with the goal of extracting higher music license fees than those offered through other PROs like ASCAP and BMI. [read post]
12 Jul 2016, 9:23 am by Chris Castle
You probably didn’t know that the Obama Department of Justice has been conducting invitation only conference calls with songwriters about the DOJ’s proposed 100% licensing regime they’d like to impose by means of the ASCAP and BMI consent decrees. [read post]
25 Oct 2010, 6:19 pm by David Oxenford
Future streaming royalties would not be set by the Copyright Royalty Board but by a legislatively ordered rate court - presumably a US District Court similar to that which hears royalty disputes for ASCAP and BMI. [read post]
11 Feb 2013, 11:43 am by FHH Law
The 90-minute agenda will include discussions of: ASCAP/BMI/SESAC issues The Mission Abstract Data litigation The Aereo/Aerokiller cases Webcasting/streaming royalty calculations Royalties for performance of sound recordings The FCC Ownership Proceeding       Newspaper/Broadcast       TV JSA attribution The incentive spectrum auctions/repacking TV online public file Ownership reporting If you’d… [read post]
4 Oct 2016, 11:19 am by Tamera H. Bennett
In Episode 77 of the Entertainment Law Update Podcast Tamera and Gordon ponder:Stairway to Heaven - Plaintiff appeals decisionLots of fallout from DOJ ASCAP/BMI consent decreeCan Stephen Colbert Be Stephen Colbert The Monkey Selfie that Just Keeps GivingThese stories and more on this episode of Entertainment Law Update with Tamera Bennett and Gordon Firemark.Please leave us listener feedback at the iTunes store. “EntLaw Update does a phenomenal job of keeping you current on issues… [read post]
19 Sep 2014, 6:00 am by The Dear Rich Staff
If you're going to credit your songs to your stage name, that pseudonym should be included on the copyright registration and at your performing rights society (ASCAP or BMI). [read post]